5 W) o; X( R5 S+ E. r, g
Pianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs. & R# ` C9 I7 g( |) Q+ a' o( h ~5 JBy being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range)./ L ^5 g, c8 V* I: s2 E- m
Note editor . G" j# m) O: |& C0 fThe note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument.3 i1 l& B' ~; V/ C
Powerful note editing 5 o" \* j+ {; A3 o& E2 TPianoteq PRO offers note-by-note adjustment for no less than 30 parameters: 9 M* P) J: H5 Q0 ~; Y, XVolume ; }# y" L" a& S: c* G4 w0 W: kDetune 7 P8 A* ^3 c7 h# {! oDynamics3 a1 K: E4 m; _3 G9 C0 U* m
Unison Width+ Q: \/ H% D4 M1 T0 ]; d) e( `
Unison Balance 7 I! @4 w$ O( u. f6 o4 mDirect Sound Duration , E! \; @0 p0 kHammer Hardness Piano 8 b- [& M/ |( l/ q; a3 KHammer Hardness Mezzo4 f2 S7 ~0 j; M" x: g
Hammer Hardness Forte + m. I8 c' v, p/ S hSpectrum Profile 7 N8 M- t5 e7 d2 WHammer Noise - X5 j5 | u4 }) h1 k6 QStrike Point( E9 n9 L4 I+ \: W$ W9 I: O2 u) G9 Y$ k
Pickup Symmetry 7 g1 X/ V. f: r9 O" ^Pickup Distance/ H/ t8 ]% E! K( D
Impedance8 n, {# |% c: m$ v0 B8 Z% S
Cutoff ' E5 r( o3 l, L* t, lQ Factor 1 z6 w$ b$ c8 N: E; b7 |. E! ?String Length# Z$ P N/ C* F0 Y
Sympathetic Resonance * ?) Y, ~. ~1 c( r$ n/ oPinch Harmonic Point 9 d% y; `; t9 |4 _; KDuplex Scale Resonance 6 F0 ?* f: b7 T, }Damper Position 5 q, ^7 T9 ^4 p/ N2 z; K" FDamping Duration , i# N+ B# F2 l7 [& C$ v, x, @Mute 6 J+ f9 G- V8 n& ]Damper Noise: l2 P5 H' L; W( I) K
Key Release Noise 5 l% r- l! O/ Q3 u0 _Blooming Energy4 f1 ^0 G; k0 A7 e( K- f& s& Z
Blooming Inertia 3 h I% @! D' d, k# XAftertouch Sensitivity+ F) w4 D: a7 [3 D0 s% x$ T) [6 U: W
Hammer Tine Noise - J/ O$ H& D; y) X$ Z8 j0 e$ x9 S3 V3 A# F, O, k
DATE:21 Mar 2020 & U/ B2 H3 e- S6 Y0 n
