: S( Z; J. \8 h, MPianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs.
4 x# @# C' s& VBy being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range).
" F! U9 P8 I! t" {* Q8 g) uNote editor3 D: M @5 \* C# {6 d
The note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument.
! A" J, R" R: F( `. LPowerful note editing
3 x6 g. P+ p; O. CPianoteq PRO offers note-by-note adjustment for no less than 30 parameters:8 U1 U- f, ^* S. X
Volume% j' z* v/ ^' i4 _( @( D
Detune
) q: n# z9 N- R$ U, q& v. vDynamics
: v" {# d4 @2 gUnison Width
& @% O8 S# D: ]9 t; s; X5 |0 qUnison Balance
) d P8 D( p6 BDirect Sound Duration* b8 }6 [3 |, P) [+ N4 x
Hammer Hardness Piano
( @% W+ b0 {8 f4 F* x+ MHammer Hardness Mezzo( q7 b4 ~3 U* j9 ~; S* K$ o
Hammer Hardness Forte* l: O: X8 p$ U4 R. B1 |
Spectrum Profile- x- K- b0 R* ?& C
Hammer Noise
0 m0 }/ w% ?9 r8 T. lStrike Point
7 A" m. C) n* U4 WPickup Symmetry
+ J" `' w! M# F! K# \2 UPickup Distance
8 ?. [ r" b5 j- HImpedance
) N6 h0 y, F' R) q( }4 _ a$ v3 R: Y; BCutoff8 D: L! ]' r2 f. d$ O9 b
Q Factor
% h m! U" D7 m" ]* a% j3 Y6 |; BString Length1 c/ D0 | K+ [5 V; ]
Sympathetic Resonance
, c3 F. F( n. l0 Z$ XPinch Harmonic Point; J p# E$ ?8 P2 B! W6 T5 g
Duplex Scale Resonance
4 A" Y0 v4 `( o7 P6 B5 KDamper Position
& X& e4 T% I$ Z* NDamping Duration
! a! }0 B2 t$ V& {Mute
5 I- M2 t# ]0 e7 B) _4 \2 ADamper Noise
& y' R1 p& h# l8 x4 YKey Release Noise, q }' P5 u3 l4 B" ~% [7 X
Blooming Energy
6 y* H5 l# ?( _* @! |" KBlooming Inertia" [* Q& ^$ U6 c+ O: [
Aftertouch Sensitivity
5 q$ I& A/ q) l" `- iHammer Tine Noise
* O0 W7 S, } ]% r/ ?7 k8 R3 }. ~: g' V. W: ? Z
DATE:21 Mar 2020
% K5 S+ c: X" \' h# Y2 ~ |