' ] S9 E) Z8 `6 f
- ?" n( C( F& Y- O1 J9 |- A) I
1 m3 q2 y4 ~0 S- e* I
( S, u7 I( q3 d2 C' x5 [/ i4 h8 B
7 E+ J' G, f+ ~- U: d6 _( l% {7 [
' e+ ^% Y3 t1 J0 H
VQstands for "Vintage Quality". It's a sample library for Kontakt 4
( _8 P* X8 e8 y7 ~9 [4 aand above that features a 1964 Ludwig Hollywood kit recorded with 12 mics in a wooden studio.
+ e0 a- |1 }' i' B: K$ a* S- O0 h# s( H% x- z2 {
All recorded with 6 velocity layers and 6 round robin, resulting in 36 samples per articulation.
4 U# L' z. _; c8 j. V8 p( M' pAll samples normalized to 0db so when a velocity ramp is applied it results in 128 volume steps, # N% Q' E/ ]& L4 r! B
which gives a very natural response from the keyboard or e-drum.
5 V( ^0 w. G( A: g- V: q; `8 T; p: Q
This is, by far, the most complex library that I've ever done and it's also the best sounding kit that I've ever heard.
- U# v }2 n" ]) e3 O' m& [* E# [
Tech Info
) k% V; I$ Q3 o/ s- CNCW files, 44.1KHz 24bit.
1 y7 r( R& h# y7 c* Y) h4GB using lossless compression.& _2 v8 t4 M" Z, I1 T; Q- b
6 round robin, 6 velocity layers.' n; Y; H) ^# n9 _6 `7 S8 G: b
Advanced script and GUI.
" ^% S( a! c4 D" H6 L- Y1 x1 K3 v: g2 K10 microphone positions.* l. J: E7 G) _. a2 e
Effects (EQ, reverb and compression).
" _5 S; z" o, n+ a7 M o8 NSettings page with premium features.
4 W7 ^; P! w! F" o0 s+ e% W' Z1 qArtist Presets.
3 Z; F/ x) d% K2 O6 r: ~For Kontakt 4.2.4 or superior.' I/ m) Y$ l7 p
8 X$ L/ I8 h7 m
" q# X9 N+ B. F- @% H+ G# @
5 A9 R" l3 F( n$ N
|